Stage-découverte en astrologie Chinoise “Ba Zi” à Paris les 25 et 26 juin 2018.

Atelier d’initiation à l’astrologie Chinoise “Ba Zi” à Paris.

Les « Ba Zi » ou Quatre Piliers du Destin, tout comme le Feng Shui Traditionnel Chinois, trouvent leur origine dans les fondements de la cosmologie taoïste.

Dans la Pensée Chinoise, notre allié est le temps à hauteur de 50% (choisir le bon moment), ce qui est loin d’être le cas dans notre système de pensée occidentale où l’on table beaucoup plus sur l’individuel et la volonté. Selon ce même système de pensée, tout comme dans les arts martiaux, il est possible d’anticiper et de se positionner en connaissant ses points forts et ses faiblesses.

Il s’agit d’un outil « sur mesure », subtil et puissant qui permet de mieux comprendre ce que le temps nous donne à vivre dans les sphères familiale et professionnelle. Il permet d’apporter un éclairage révélateur de notre véritable personnalité et de mieux comprendre ce que nous savons et ressentons mais n’arrivons pas forcément à mettre en place pour différentes raisons qui nous échappent. C’est une aide au positionnement individuel.

Aucune connaissance spécifique n’est requise. Apportez vos coordonnées de naissance complètes (avec vos date, heure et lieu de naissance, que vous pouvez obtenir facilement en faisant la demande par internet).

Où ? À l’institut de formation aux arts énergétiques du Dao
“La Main du Cœur” 91, rue de Charenton – 75012 Paris. Métro Ledru-Rollin ou Gare de Lyon.

Quand ? Du lundi 25 juin au mardi 26 juin 2017, de 9h30 12h30 et 13h30 à 17h30.

Combien ? Le coût du stage de formation est de 200 € tout compris.
Un acompte de 30% (60€) est demandé pour valider l’inscription.

Vous souhaitez assister à ce stage ou vous renseigner ?
La réservation est obligatoire.
Pour tout renseignement et pour vous inscrire :

Stage-découverte en Feng Shui traditionnel Chinois les 18 et 19 juin à Paris

Cette initiation se déroule à Paris, les lundi 18 et mardi 19 juin 2018.

Elle vous permettra d’apporter un nouvel éclairage sur les espaces de vie ou de travail dans lesquels vous évoluez quotidiennement, à votre insu, et de percevoir comment ils s’articulent.
Pour une meilleure mise en pratique, vous pouvez apporter le plan de votre choix pour le découvrir sous un autre angle et apprendre à mieux le connaître.

Animé par Olivia Roy / Lieux de prédilection.

Où ? Institut de formation aux arts énergétiques Chinois
« La Main du Cœur » – 91, rue de Charenton – 75012 Paris (métro Gare de Lyon ou Ledru Rollin).

Quand ? les lundi 18 et mardi 19 juin 2018.
De 9h30 12h30 et 13h30 à 17h30.

Combien ? Le coût du stage de formation est de 200 € tout compris.
Un acompte de 30% (60€) est demandé pour valider la souscription.

Pour tous renseignements et pour vous inscrire :

Vous reprendrez bien un peu de thé ?

Voici un merveilleux article sur six maisons de thé qui conjuguent tradition et modernité, beauté et sophistication… N’hésitez pas à parcourir les diaporamas suivants et régalez-vous !

Six maisons de thé modernes qui sont de véritables merveilles architecturales


The famous architect Tadao Ando once described Japanese teahouses as containing “an infinitely expanding universe in an enclosed, very small space.”

Dating back to the 16th century, the Japanese tea ceremony (chanoyu), also known as the Way of Tea, is an intricately codified ritual in which a host prepares and serves matcha, or powdered green tea, for a number of seated guests. The ceremony typically takes place in a small and intimate tea room, where every detail—from the layout of the interior to the shape of the ceramic bowls—is designed to instill an appreciation for aesthetics and beauty.

Historically, these rooms were located in grass-thatched huts surrounded by peaceful gardens, offering a place to withdraw from the material distractions of the world and discover enlightenment in the everyday. Guests and hosts would enter the tea room through separate entrances. Inside, minimal furnishings—tatami floor mats, a sunken stove for heating the tea, spare flower arrangements, and a painted hanging scroll—helped to establish a contemplative mood.

Since the 1990s, contemporary architects have approached the challenge of modern teahouse design with an eye toward tradition, adhering to the ideals of simplicity and working on a small scale. But they have also approached them with a spirit of experimentation, evidenced in the following examples, which show a range of fantastical settings and the use of modern materials like glass and plastic.

Kengo Kuma, Teahouse

  • The Teahouse by Kengo Kuma. Photo by Ema Peter. Courtesy of Killeen Communication Strategies.

Renowned Japanese designer Kuma created this tea pavilion for the 19th floor of a corporate and residential tower in Vancouver in 2017, on the occasion of a retrospective of his work in the city. Overlooking the bay and the Downtown district, the meditative structure is constructed on a raised wooden platform, which creates the illusion that it is serenely floating above the surrounding stones. Modern, functional additions to the traditional form include sliding glass walls, as well as an interior table on hydraulic supports that can be raised and lowered as needed.

Terunobu Fujimori, Takasugi-an

  • Photo by Nicolás Boullosa, via Flickr.

Architect Terunobu Fujimori didn’t receive his first commission until age 44, after having worked as an architectural historian for three decades. He has since been widely recognized for his use of raw, natural materials and his strikingly playful and eccentric designs—including this “Too-High Tea House” in his father’s backyard in Nagano, Japan. Built on two 20-feet-tall chestnut trees, the house—which looks like it came straight out of a Miyazaki fairy tale—can only be accessed by climbing a ladder. Inside, a large window frames a scenic vista of his hometown.

Tokujin Yoshioka, Kou-an Glass Teahouse

  • Courtesy of Tokujin Yoshioka.

This glass teahouse by Japanese artist and designer Yoshioka faces the historic Shoren-in Temple in Kyoto, offering an expansive view of the city and the Higashiyama Mountains. “What I wanted to do through this project is not just to express the regeneration of tradition and history by modern design,” said Yoshioka, “but to think about and trace [the cultural significance of] the tea ceremony.” Though the structure lacks some of the traditional furnishings of tea houses—such as a hanging scroll and flowers—a glass prism on the roof creates a rainbow effect on the floor as the afternoon sunlight pours through it. The designer describes the effect as a “flower of light.”

Sun Wei, Bamboo Courtyard Teahouse

  • Courtesy of HWCD.

Designed by Chinese architect Sun Wei, this modern bamboo teahouse is located on a lake in the ShiQiao garden in Yangzhou, China. Largely constructed of bamboo, it is divided into an asymmetrical maze of outdoor corridors and smaller courtyard spaces, which open into both interior and exterior views of the lake. The verticality and weightless quality of the design are accentuated at night, when the teahouse lights up and illuminates the lake.

David Maštálka, Teahouse

  • Photo by @duzettdistrict, via Instagram.
  • Photo by @yolandebatteau, via Instagram.

Czech architect David Maštálka collaborated with sculptor Vojtech Bilisic on this teahouse, located in a picturesque garden at the bottom of a hill in Prague. Inspired by the Japanese tradition, Maštálka envisioned “a world hidden inside, where time flows at its own pace, a vacant space leaving an impression just by its spaciousness.” A matted circular platform opens out to the garden on one side. And its translucent domed roof represents the sky, while the hearth represents the home.

Kengo Kuma, Oribe Tea House


This temporary tea house honors Furuta Oribe, the legendary daimyo tea master who championed the use of rustic, amorphously shaped bowls in his ceremonies. Made of plastic corrugated boards, which are typically used for shipping boxes, and adjoined with plastic bands, the room can easily be disassembled and transported, as it was for Design Miami/ in 2015. The cocoon-shaped hut can appear solid or transparent depending on where you stand, while inside, visitors find a quiet, tranquil space aglow with soft light.

—Demie Kim